Tuesday, September 16, 2008

Insider/Outsider Debate

After considering all of the articles, I wasn't really sure what direction to take in the "Insider/Outsider debate." Between the four articles, I was presented with so much information I felt like it might take me months to decide exactly where I stand and what questions to answer. I decided to first consider the idea of who has the right to tell stories about specific cultures. I would have to say I take the "insider's" stance on this one. Bishop says, "you have to know a culture intimately if you're going to reflect it accurately in your fiction," and I agree (Bishop 1994). I think that those within the culture they are trying to represent generally have the best intentions and an author's intentions are crucial in the outcome and interpretations of their work. I would say that insiders do have more of a right to represent their culture, but I also realize (after continuing to read through the articles) that outsiders play an important role. Good literature from outsiders with good intentions is also important so that the whole of multicultural literature doesn't become an issue of "us against them."
Cai too talks a lot about the idea that "if the issues of inequality, discrimination, oppression, and exploitation are excluded from consideration when we try to define multicultural literature, there is a danger of diluting, or even deconstructing, the social, political concept that underlies the term." Which is what has brought me to the decision to declare myself an "insider" on the issue of multicultural literature as a whole. Shannon discusses the fact that "we must recognize ourselves in the oppressors of others," and I have to admitt that I have struggled with this, but I realize that I am priveledged. I never asked for it, but as a born outsider it is my duty to jump "inside" the realm of multicultural literature and make sure that the issues of inequality and oppression are not ignored.
Many of my questions regarding the text have to do with age appropriateness and catering your subject matter for the age of your students. Each of the articles gave great examples of what and how to takle in discussing the issue of multicultural literature in your classroom, but I felt like the majority of the examples discussed where aimed at an older audience. Coming from the perspective of a future teacher planning to teach preschool, kindergarden, etc. I still question what is appropriate or my duty to cover. I guess from my perspective I feel like I will only have the opportunity to simply introduce some of these ideas but never really discuss them as the articles suggest.

2 comments:

Nick Sauve said...

Alicia-

I too am struggling to decide where exactly I stand on the "insider/outsider" debate. I suppose we'll never really come to a solution, but I think that is okay, as the debate, while perhaps a roundabout one, is very healthy.

I agree with you and your interpretation of the Bishop quote, in that you must know the culture you are writing about intimately. I also liked how you brought up our role, as educators, to present issues related to multiculturalism in an accurate, yet appropriate manner in order to make sure that they are not ignored.

Good thoughts-
nick

Colleen G said...

Hi Alicia,

After reading taking reading the articles, discussing in class, and reading many examples of both insider and outsider literature. I too find it very hard to choose a side. I agree however that a clear stand isn't always needed sometimes I think it is okay to be in the middle. I believe that many insiders often provide the best literature, but not all and that some (not all) outsiders write quality multicultural literature.

This being said I related this debate to reading Habibi. In the book the author, an insider, tells the story of an Arab American, but the girl is outsider to her community, to Arab culture. It was interesting to see how Liyanna reacted to the new culture and how she was able to become an insider. I believe that this emphasizes the fact that if outsiders do their research and truly work hard to understand the culture they are writing about they too can write a piece of quality multicultural literature.